Mario Telò

Professor of Classics
Ph.D. classics 2006 Scuola Normale Superiore di Pisa
B.A. classics 2000 Scuola Normale Superiore di Pisa
Research Interests: 
Greek literature, ancient drama, critical theory
mtelo [at]
Office / Location: 
7212 Dwinelle
Office Hours: 
Fall 2018: W 11-1P

I spent eight years at UCLA as an assistant and associate professor of classics. My research interests cover the full range of Greek literature, with occasional incursions into Roman drama. After working for a number of years on Greek comedy, I am now developing a project on Greek tragedy entitled Archive Feelings, which takes my interests in affect, materiality, and psychoanalysis in a new direction, exploring how contemporary theorizations of the archive (especially Derrida's Mal d'Archive) and the death drive (in Freud, Zizek, and Deleuze) can help us understand the affective experience of tragedy. 

Other projects involve sound and the narrative unconscious in Heliodorus's Aethiopica; the materiality and symbolism of the title object in Plautus's Rudens and Hitchcock's The Rope; Old Comedy and the death drive. A short monograph on Querolus is under contract with Bloomsbury, and with Melissa Mueller, I am coediting a volume entitled The Materialities of Greek Tragedy: Objects and Affect in Aeschylus, Sophocles, and Euripides (also under contract with Bloomsbury). Starting in fall 2018, I will be the chief editor of the journal Classical Antiquity ( I am also the Classics editor for the Italian newspaper, Il Sole 24 Ore

Select Publications: 

Aristophanes and the Cloak of Comedy: Affect, Aesthetics, and the Canon (University of Chicago Press 2016)

Greek Comedy and the Discourse of Genres, with E. Bakola and L. Prauscello (Cambridge University Press 2013)

Eupolidis Demi, edition and commentary (Le Monnier 2007)

Forthcoming and Recent Articles:

"Mourir de rire: Greek Laughter and the Death Drive," in E. Hall and P. Swallow, eds., Aristophanic Laughter, forthcoming 2019

"The Boon and the Woe: Friendship and the Ethics of Affect," and "Greek Tragedy and the New Materialisms" in M. Telò and M. Mueller, eds., The Materialities of Greek Tragedy: Objects and Affect in Aeschylus, Sophocles, and Euripides, London (Bloomsbury) 2018

"The Politics of Dissensus in Aristophanes' Birds," in H. P. Foley and R. M. Rosen, eds., Aristophanes and Politics, Brill 2018

"Literary-Critical Intensities: Pathos, Affect, and Greek Tragedy," in J. Connolly and N. Worman, eds., The Oxford Handbook of Ancient Literary Theory and Criticism

"Iambic Horrors: Shivers and Brokenness in Archilochus and Hipponax," in M. Foster, L. Kurke, N. Weiss, eds., The Genres of Archaic and Classical Greek Poetry: Theories and Models, Brill 2018

"Re-performance, Exile, and Archive Feelings: Re-reading Aristophanes' Acharnians and Sophocles' Oedipus at Colonus," in R. L. Hunter and A. Uhlig, eds., Imagining Reperformance in Ancient Culture: Studies in the Traditions of Drama and Lyric, Cambridge University Press 2017, 87-110. 

"Tasting Homer: Matro's Gastroaesthetic Tour Through Epic," in K. Rudolph, ed., Taste and the Ancient Senses, Routledge 2017, 72-89


Full CV: